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The choreographer Chung An,Chang had an idea of expire the dancers on the moving stages in 2016. <FACTORY> was mad in 2017 and describes that time and space which has developed in human society and how we act with a standard system. People would begin to produce fear of insecurity and anxiety once if we are out of the cycle of our life reline, especially for those who live in a capitalist society.

The production was experimented with dancers by using the mobile platforms to create variety language between the dynamic and static.

We brought the first version to BETA Publica Edition to Madrid, Spain in May, 2017. We had lots feedback and also further collaboration invitation from other Euro dance company and also invited to two dance festival show case in Taiwan(2018).

We plan to develop this project into a full-length version (50 mins) in early 2019 A masterclass before the performance so the audience would have chances to experience and understand further about the moving stages.

機械作用的動力舞台發想來自於張忠安老師,並在2016與種子舞團合作創作實驗作品<工廠33>。滯留島舞蹈劇場於2017年重製實驗作品並獲得西班牙馬德里BEAT Publica國際編舞選秀決選團隊之一,其獨特性將在台灣以及國際舞台上引發爆炸性的議題,提升並開發截然不同與往的表演藝術創新劇場模式,與別創新格、獨具巧思的舞台劇場新視覺,滯留島舞蹈劇場亦在2018年屏東縣舞夏藝術節及猴Dance之中,表演藝術結合跨科技的動力舞台持續地進行實驗。

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