面對全球性傳染病前所未有的挑戰與負面影響，如何用舞蹈連結人與人之間相處最基本的溝通、鏈結與信任感？透過六天的展演，編舞家每天將在不同的場域以舞蹈跟觀眾、展覽作品及空間做連結，是舞蹈與作品之間的對話、是觀眾與舞者之間的對話，而觀眾也將成為作品呈現的內容。 Facing the unprecedented challenges and negative impacts which cause by the global pandemic, how do we connect the most basic communication and trust between people by dance? Through the six-day performance, the choreographer will use dance to connect with the audience, exhibition works, and space in the Taipei Fine Art Museum. It is the dialogue between dance and exhibition works, the communication between audience and dancers, and the audience also will become the content of the work.

滯留島舞蹈劇場　Resident Island Dance Theatre 〈我在這裡〉Being There 現場表演　Live Performance 舞蹈、音樂、現場DJ 　Dance, music, live DJ 演出時間 2020年8月25日至30日 13:30-14:00 16:30-17:00（週二-五） 13:30-14:00 16:30-17:00 19:00-19:30（週六） 13:30-14:00 16:30-17:00（週日） Performance Times 2020/8/25-28 (Tue.-Fri.) 13:30-14:00, 16:30-17:00 2020/8/29 (Sat.) 13:30-14:00, 16:30-17:00, 19:00-19:30 2020/8/30 (Sun.) 13:30-14:00, 16:30-17:00 「看他人跳舞的同時，我們內心也跟著跳舞。」 人與人之間的距離與關係，在這場全球性傳染病面臨前所未有的挑戰，包含壓力、精神錯亂與憤怒。在這樣壓迫之下的環境，如何用舞蹈鏈結人與人之間相處最基本的溝通、鏈結與信任感？ 以超連結（Hyperlink）做隱喻，觀眾給予的訊息（動作）是一個開關，舞者是一個載體接受資訊。 歡迎8/25-30來北美館與我們交換訊息！ The dance animation Body Talk reminds us: “When we see others dance, our hearts dance with them.”Creating distance between people and straining human relationships, the global pandemic has produced unprecedented challenges and negative impacts, including post-traumatic stress disorder, mental derangement, and anger under such oppressive conditions. How can we use dance to join people together in the most basic state of communication, connection, and trust? The signals that the audience gives (movements) are a hyperlink switch, and the dancers are a vehicle for receiving these signals. Please come and exchange your messages with us between 25th Aug to 30th Aug at Taipei Fine Arts Museum! 策展人：蕭淑文、耿一偉　Co-curator: Jo Hsiao, Yi-Wei Keng 概念、編導：張忠安　Concept & direction: Chung-An Chang 現場DJ：陳宏誌　DJ: Hung-Chih Chen 舞蹈、集體創作：方士允、翁靜吟、葉懿嬅、阮怡蓁、黃盈嘉、林加涵 Collaborators: Shih-Yun Fang, Chung-Ying Weng, I-Hua Yeh, Yi-Chen Juan, Ying-Chia Huang, Chia-Hen Lin 團務經理：蕭淑琳Project manager: Sasa Hsiao 藝術行政：陳必寧Administration: Pik-Ning Chen

本演出為此共融舞蹈作品之實驗創作段落之一，舞作中舞者分別隱喻為社會中不同階層的代表，在環境劇變下雖朝著同樣的目標前進。 因階級的不同，看似平行，但在向前的過程當中所產生的碰撞、交集、反應。 編舞家：張忠安 舞者：阮怡蓁／鄭祐承 主辦 ：屏東縣政府 財團法人平安社會福利慈善事業基金會 協辦：滯留島舞蹈劇場 CWM世界傳道會 台灣基督長老教會總會 萬吉建設 屏東縣政府社會處/文化處 屏東縣身心障礙福利服務中心 屏東縣身障者自立生活中心 台灣國際職業婦女協會屏東分會 多麥綠烘焙坊 觀昇有線電視台

～108年文化體驗教育計畫～ 以肢體開發為主題，引導孩童運用口述能力之外的肢體來做為情感與訊息的傳遞媒介，讓孩童學習身體能帶給我們不同層次與情感宣洩的肢體語言；亦使用身邊手可得的東西作為輔助道具，將舞蹈融入生活的一部份。

Dynamic Stage Experiment I Chung-An, Chang, born in a little countryside from Pingtung, Taiwan. Small and medium-sized enterprises are prevalent in this region. The fodder factory was the material to build up his choreography. It describes that time and space which have developed in the human society just like a standard system. We began to produce fear of insecurity and anxiety once if we are out of the law of cycle. Even if the surrounding environment was once again directed into the whirlpool of the “human society”, we are still forced to flow in the torrent and hard to withdraw from it.

master class in Madrid, Spain by Resident Island Dance Theatre

是甚麼讓你愛上現代舞? 又是甚麼讓