「舞，始終來自於身體傳遞所反映出的訊息，我們實驗在舞蹈形式上任何一種可能；找尋著身體與人體之外的元素組成；挖掘在繁雜或者簡易結構中，所存在的意義。在訊息定位以前，行進中的動態物件都有著多種可能性，我們將嘗試著去找尋每一次的定位點。」

「滯留島舞蹈劇場」舞作內容向來以多元觸角為題；以人文關懷為素材進行創作，編舞家積極開發當代舞蹈風格。自2010年開始，舞團作品屢屢獲得國內舞蹈界多項肯定，編舞家張忠安其大膽而深刻的肢體與素材應用，作品總是飽富著旺盛精力與生命能量，以誠摯的原創基調提出對社會現象與生命周遭之訴說與觀點，舞作總是展現超乎想像的精力，簡約的呈現著不受控制的控制；非表象技巧中的高技巧，充分將自我藝術觀點展露無遺，在現今坊間過多的創意模仿與了無新意的編舞走向上，無遺提出了彌足珍貴的「原創性舞作」。在2010年開始創團至今，每年推出一場新製作，並以具突破性、實驗性的表演形態及舞台設計，賦予舞蹈不一樣的思索空間，以後現代的批判前衛角度，持續關心人文與社會議題，詮釋現代人歷經資本社會的高壓下，所面臨的心境及現象。透過舞作肢體語言的溝通形式，進而提升觀眾的直覺、推理、聯想與想像之能力，探討資本主義下的社會問題。

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受邀國際演出

2023-

《冰河時期》受邀參與芬蘭Finfringe festival 2023

​《冰河時期》《Factory》受邀參與冰島雷克雅維克藝穗節

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2022-

受邀參加愛丁堡藝穗節、共融藝術節海外邀演

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2020-

臺南藝術節-十鼓擊樂團20週年鉅作《島嶼傳說》

臺北市立美術館“藍天之下：我們時代的精神狀況”-《我在這裡》

（冰河時期-實驗階段》則受邀參與艋舺國際舞蹈節、2020臺灣舞蹈平台『在一起三舞作』及ISPA 2020 Pitch New Work

《Factory》獲邀芬蘭FINFRINGE、外亞維儂台灣季（文化部獎助）、烏克蘭Zelyonka Space UP現代舞蹈節

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2019- 

《Factory動力舞台實驗2.0》獲邀瑞典Gothenburg哥德堡藝穗節

《Factory動力舞台實驗2.0》獲邀土耳其伊斯坦堡藝穗節

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2018-

與 Step Out Arts 策畫共同參展德國杜賽朵夫Tanzmesse國際舞蹈博覽會

受英國文化協會(British Council)邀約參訪英國倫敦Unlimited 障礙藝術國際高峰會及藝術節

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2017-

《Lost in Grey》受2017韓國創舞國際舞蹈藝術節邀演 / 印度理工學院孟買分校Mood Indigo 2017邀演

參與澳洲Critical Path 論文撰寫訪談第P38-P.45頁

https://issuu.com/criticalpath/docs/critical_dialogues_7.2_final

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2016-

滯留島舞蹈劇場獲文化部遴選至2016年愛丁堡藝穗節《Lost in Grey》演出

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歷年作品

​2021年《冰河時期》

2020年《冰河時期-實驗階段》

2019年《浮游體》

2017年《鏽 塔》《Factory》

2016年《Lost in Grey》

2015年《時代的灰斑-2015玻璃屋系列3》

2014年《魚貫職態-2014玻璃屋系列Ⅱ》

2013年《玻璃屋》

2012年《天堂門鎖》

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"Dance always comes from the message reflected by the body's transmission. We experiment with any possibility in the form of dance; find the elements of the body and the body; the excavation in the complicated or simple structure, before the meaning of existence the message positioning, there were many possibilities for moving objects in motion, and we will try to find every anchor point."

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The content of the "Resident Island Dance Theater" has always been the subject of multiple tentacles; the creation of humanistic care as the material, the choreographer actively develops contemporary dance style. Since 2010, the company has repeatedly won many recognitions from the domestic dance industry, choreographer Chung-An, Chang's bold and profound body, and material application, his works are always full of energetic energy and life energy. With his sincere original tone, he presents his opinions and opinions on social phenomena and life. The dance always shows beyond imagination. Energy, simplicity presents uncontrolled control; high skills in non-imagery skills, fully revealing the self-artistic view, in the current practice of too many creative imitations and the no-new choreography, no doubt precious.

"Original dance." Since the beginning of the founding of the company in 2010, the new work has been launched every year. With a groundbreaking and experimental performance form and stage design, the dance has different thinking spaces. After the modern critical avant-garde perspective, it continues to care about humanities and social issues. It interprets the state of mind and phenomena that modern people face under the high pressure of the capitalist society. Through the communication form of body language, the audience's intuition, reasoning, association, and imagination are enhanced, and the social problems under capitalism are discussed.

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2023-

“Ice Age”invited by Finland Finfringe festival 2023

"Ice Age" "Factory"invited by Iceland Reykjavík Fringe Festival

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2022-

invited by Edinburgh Festival Fringe、Festival of Inclusive Arts

 

2020 –
• Choreographer and dancers for the Ten Drum's "The Legend of Island"
• "I am HERE" Live performance in the exhibition "Between the Earth and the Sky-The Spiritual State of Our Time" at Taipei Fine Art Museum.
• Inclusive dance piece "Ice Age" work in progress was invited by Taiwan Dance Platform(National Kaohsiung Centre of the Arts) and Want to Dance Festival(Taipei, Taiwan). Also was selected by ISPA 2020 Pitch New Work.
• "Factory" invited by FINFRINGE(Finland), Space Up Dance Festival (Ukraine) both were postponed due to the pandemic.

2019
• Premier “NO Fixed”
• Collaboration residency with the professional dancers at Stopgap (UK), mentoring by Lucy Bannett.
• "Factory" invited by Gorthenburg Fringe(Sweden) & Istanbul Fringe(Turkey).
 

2018
• Premiere "Factory"
• Participated in Tanzmesse presented by Step Out Arts (UK)
• Invited to Unlimited Symposium & Festival by British Council
 

2017
• 'Lost in Grey”Changmu International Performing Arts Festival
• Asia & Australia Arts Network Association
• Bombay Mood Indigo 2017.
• Interviewed with Critical Path magazine (NSW, Australia)
 

2016
• ‘Lost In Grey’Taiwan Season Edinburgh Festival Fringe.
• Nominated and Shortlisted for The Asian Arts Award.
Other work Archives: Sun With a Corner Missing, was created in 2012 and nominated for a Golden Dance Award. Created in 2102,
Ear Language won first prize in the cross-area dance competition held by the Cultural Affairs

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藝術總監暨編舞家 / 張忠安

張忠安屢獲編舞將殊榮，在2010年創立滯留島舞蹈劇場。

在台北藝術大學七年一貫制求學期間，忠安的右眼開始失明。隨著病情的惡化，他決定不在大學繼續深造。回到他的家鄉屏東是台灣南部的一個縣市，是一個藝術資源有限的地方。然而，他認為舞蹈動作和舞蹈編排是他可以表達自己思想的工具，因此他自主訓練、教學和編舞。他的作品靈感主要與心理和社會議題有關。

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Artistic Director / Choreographer / Chung-An, Chang

Chang Chung-an, award-winning and prolific choreographer, established Resident Island Dance Theatre in 2010.
Chung-An started to lose his sight in his right eye during his dance training in high school. As the condition worsened he decided not to pursue further education in university. He returned to his home town Pingtung, south of Taiwan. A place that has a limitation of the art resources. However, he believes dancing and movements and choreographing are tools which he can express his thoughts, and therefore continues with self-training, teaching, and choreographing for himself and for others. His work inspiration mostly associated with the mental care and social impact subjects.